小丽丝 (1930)

Jean Grémillon’s first talkie, the 1930 LA PETITE LISE, is anything but talky. While openingand closing with soulful afro-Latin strains, something just above silence reigns throughoutthe film. Grémillon is already orchestrating the auditory menace of nuanced sound sculptingthat would later pervade REMORQUES (1941), setting forth evolving rhythmic figures at anatmospheric wh...